{"id":504,"date":"2020-12-30T23:14:04","date_gmt":"2020-12-31T06:14:04","guid":{"rendered":"http:\/\/toddlarkin.com\/?p=504"},"modified":"2025-10-26T16:08:51","modified_gmt":"2025-10-26T22:08:51","slug":"baroque-impressions","status":"publish","type":"post","link":"https:\/\/toddlarkin.com\/?p=504","title":{"rendered":"Baroque Impressions Catalog"},"content":{"rendered":"\n

Catalog release: December 2018; revised ed. August 2019<\/p>\n\n\n\n

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Now available on amazon.com <\/p>\n\n\n\n

Baroque Impressions: Reproductive Engravings after Rubens and Van Dyck Paintings ca. 1620-1860<\/em> is a catalog published by the School of Art to accompany the ground-breaking exhibition that was held in the Dean’s Gallery of the College of Arts and Architecture at Montana State University from 2 November to 28 December 2018. It is edited by T. Lawrence Larkin, Associate Professor of Seventeenth- to Nineteenth-Century European Art, and comprised of essays written by Kearstin Jacobson and Dani Huvaere, and object entries written by Larkin, Jacobson, Huvaere, Audrey Moss, Robin Anderson, and Stormy DuBois. This publication explores the historicizing impulse behind thematic displays of Rubens and Van Dyck paintings and discusses important images by reproductive printmakers\u2014from Lucas Vorsterman, Hans Witdoeck, and Jonas Suyderhoef in the seventeenth century to William Sharp, Ferdinand Joubert, and David Desvachez in the nineteenth century. Copiously illustrated, this volume is intended to stimulate discussion about the formal and conceptual relationship between paintings and engravings, invoking issues of artistic originality and variation, market developments, and thematic collecting.<\/p>\n\n\n\n

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Entry to the exhibition, with Jacob Pitau’s Heavenly Concert<\/em> (1654-1661) after a painting by Anthony Van Dyck<\/figcaption><\/figure>\n\n\n\n

Table of Contents<\/strong><\/p>\n\n\n\n

Forward Vaughan Judge<\/em><\/p>\n\n\n\n

Acknowledgements T. Lawrence Larkin<\/em><\/p>\n\n\n\n

Introduction T. Lawrence Larkin<\/em><\/p>\n\n\n\n

Catalog nos. 1-2<\/p>\n\n\n\n

Unexpected Innovation in Reproductive Prints after Rubens Kearstin Jacobson<\/em><\/p>\n\n\n\n

Catalog nos. 3-16<\/p>\n\n\n\n

Unusual Freedom in Reproductive Prints after Van Dyck Dani Huvaere<\/em><\/p>\n\n\n\n

Catalog nos. 17-33<\/p>\n\n\n\n

Printmaking Techniques Stormy DuBois<\/em> and Robin Anderson<\/em><\/p>\n\n\n\n

Bibliography<\/p>\n\n\n\n

With Art Direction by Bruce Barnhart and Design by Audrey Moss<\/p>\n\n\n\n

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Exhibition \/ Catalog contributors, from left to right: Todd Larkin, Stormy DuBois, Kearstin Jacobson, Audrey Moss, Robin Anderson, and Dani Huvaere, November 2018.<\/figcaption><\/figure>\n\n\n\n

Press:<\/p>\n\n\n\n

\u201cThe participation of these print dealers and scholars has demonstrated that the construction of a \u2018baroque picture gallery\u2019 from \u2018ephemeral print media\u2019 is a real possibility in the present age, bringing rare and far-flung cultural resources to communities in the Northern Rockies and facilitating collaborative research among faculty, independent scholars, and graduate students.\u201d<\/p>\n\n\n\n