{"id":526,"date":"2021-01-01T22:56:53","date_gmt":"2021-01-02T05:56:53","guid":{"rendered":"http:\/\/toddlarkin.com\/?p=526"},"modified":"2025-10-26T16:11:08","modified_gmt":"2025-10-26T22:11:08","slug":"in-search-of-marie-antoinette","status":"publish","type":"post","link":"https:\/\/toddlarkin.com\/?p=526","title":{"rendered":"In Search of Marie-Antoinette Book"},"content":{"rendered":"\n<p>Monograph release: Spring 2019<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"1024\" src=\"https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Larkin_Cover-copy-695x1024.jpg\" alt=\"\" class=\"wp-image-527\" srcset=\"https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Larkin_Cover-copy-695x1024.jpg 695w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Larkin_Cover-copy-204x300.jpg 204w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Larkin_Cover-copy-768x1132.jpg 768w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Larkin_Cover-copy.jpg 815w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><figcaption>Now available on amazon.com<\/figcaption><\/figure>\n\n\n\n<p><em>In Search of Marie-Antoinette in the 1930s: Stefan Zweig, Irving Thalberg, and Norma Shearer <\/em>is a scholarly monograph published by Palgrave Macmillan that follows Austrian biographer Stefan Zweig, American producer Irving Thalberg, and Canadian-American actress Norma Shearer as they attempt to uncover personal aspects of Marie-Antoinette\u2019s life at the French court in the late eighteenth century and to dramatize them in biography, cinema, and performance for public consumption during the 1930s. The first chapter establishes the core subject as an inquiry into the respective contributions of Zweig, Thalberg, and Shearer in formulating an \u201cobjective\u201d or \u201cauthentic\u201d image of \u201cMarie-Antoinette.\u201d The three chapters that follow examine in some detail how Zweig pursued research and drafted the psychological biography at his Salzburg home, Thalberg acquired film rights to the best-selling book and fought the censors to preserve the more sensational aspects of the screenplay at the Culver City studio, and Shearer worked closely with a new producer to give the script a strong romantic angle and to perform the character of the queen on the sound stage. The professionals\u2019 research standards and strategic objectives are weighed in the formulation of a new myth at once sensitive to the historical record and suited to the leisure market. The author\u2019s painstaking research makes it clear that all three protagonists strove for historical precision in their characterizations of the eighteenth-century queen and her court, though with different degrees of self-awareness as shapers of a potent twentieth-century myth of \u201cMarie-Antoinette.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"415\" src=\"https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Screen-Shot-2021-01-01-at-10.24.43-PM-1024x415.png\" alt=\"\" class=\"wp-image-531\" srcset=\"https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Screen-Shot-2021-01-01-at-10.24.43-PM-1024x415.png 1024w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Screen-Shot-2021-01-01-at-10.24.43-PM-300x121.png 300w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Screen-Shot-2021-01-01-at-10.24.43-PM-768x311.png 768w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Screen-Shot-2021-01-01-at-10.24.43-PM-1536x622.png 1536w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Screen-Shot-2021-01-01-at-10.24.43-PM-2048x829.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Stefan Zweig, author of the best-selling biography <em>Marie Antoinette: The Portrait of an Average Woman<\/em> (1932), and Claudine West, contributor to the adapted screenplay Marie Antoinette (1934-1936) (Stefan Zweig Center, Salzburg and Margaret Herrick Library, Los Angeles). <\/figcaption><\/figure>\n\n\n\n<p>Table of Contents<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Introduction<\/strong>: <strong>In Search of Marie-Antoinette: The Inscrutable Life Worth Scrutinizing<\/strong><\/p>\n\n\n\n<p>Scholarship to Date<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>The Myth of \u201cMarie-Antoinette\u201d<\/em><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em>\u201cObjectivity\u201d in the Writing of History, \u201cAuthenticity\u201d in the Production of Film<\/em><\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Zweig, Thalberg and Shearer in Documents and Biographies<\/em><\/li><\/ul>\n\n\n\n<p>Structure and Method of the Argument<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Part I<\/strong>: <strong>Stefan Zweig\u2019s Clinical Biography, 1930-1932<\/strong><\/p>\n\n\n\n<p>Western European Approaches to Illustrated Biography in the 1920s<\/p>\n\n\n\n<p>Zweig\u2019s Approach to Psychological Biography<\/p>\n\n\n\n<p>Zweig\u2019s Approach to the French Revolution<\/p>\n\n\n\n<p>Merging Dominant Interpretations of Marie-Antoinette&nbsp;<\/p>\n\n\n\n<p>Structure of the Argument<\/p>\n\n\n\n<p>Marie-Antoinette\u2019s Psychological Transformation: Cause, Manifestations, and Cure<\/p>\n\n\n\n<p>Marie-Antoinette\u2019s Spiritual Transformation: Awakening, Resistance and Acceptance<\/p>\n\n\n\n<p>Writing Historical Biography as an \u201cInterested\u201d Undertaking<\/p>\n\n\n\n<p>Zweig on Film Adaptations of Historical Biographies<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Part II:<\/strong> <strong>Irving Thalberg\u2019s Film Production, 1934-1936<\/strong><\/p>\n\n\n\n<p>European and American Approaches to Historical Film in the 1920s<\/p>\n\n\n\n<p>Thalberg\u2019s Approach to Biographical Film<\/p>\n\n\n\n<p>Thalberg\u2019s Introduction to the Zweig Property<\/p>\n\n\n\n<p>Sorting Rival Interpretations of Marie-Antoinette<\/p>\n\n\n\n<p>In Conference: Establishing Character Motivations, Scenarios, and Continuity<\/p>\n\n\n\n<p>The Two Earliest \u201cTemporary Complete Screenplays\u201d<\/p>\n\n\n\n<p>Indicating Louis\u2019 Phimosis, or How Ineffectual Lovemaking Leads to lackluster Leadership<\/p>\n\n\n\n<p>Indicating the Revolutionaries, or How to Generate Sympathy for Monarchs in Spite of Their Ineffectualness<\/p>\n\n\n\n<p>Producing Biographical Film as an \u201cinterested\u201d Undertaking<\/p>\n\n\n\n<p>Thalberg on Playing a Historical Character<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Part III: Norma Shearer\u2019s Dramatic Performance, 1937-1938<\/strong><\/p>\n\n\n\n<p>Euro-American Approaches to Historical Roles in the 1930s<\/p>\n\n\n\n<p>Shearer\u2019s Approach to Historical Characterizations<\/p>\n\n\n\n<p>Shearer\u2019s Recommitment to the Marie-Antoinette Role<\/p>\n\n\n\n<p>The \u201cFinal Okayed Screenplay\u201d<\/p>\n\n\n\n<p>Inter-Dependence of Screenplay, Cast, Costumes, and Sets<\/p>\n\n\n\n<p>Before and Behind the Cameras: Shearer\u2019s Acting Technique and Production Oversight<\/p>\n\n\n\n<p>The Two Faces of Marie-Antoinette, or How to Sell Sin and Atonement<\/p>\n\n\n\n<p>To make Marie-Antoinette Live Again: The Art of Rendering Clear and Mixed Passions<\/p>\n\n\n\n<p>Acting a Historical Part as an \u201cInterested\u201d Undertaking<\/p>\n\n\n\n<p>Shearer on Public Response to Her Performance<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Conclusion<\/strong><\/p>\n\n\n\n<p>Summary<\/p>\n\n\n\n<p>\u201cMarie-Antoinette\u201d in Myth<\/p>\n\n\n\n<p>\u201cObjectivity\u201d in Biography, \u201cAuthenticity\u201d in Film<\/p>\n\n\n\n<p>Time Travel Today<\/p>\n\n\n\n<p>Index<\/p>\n\n\n\n<p>Design by Emma Hardy<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"847\" src=\"https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Todd1_8_2-16-copy-1024x847.jpg\" alt=\"\" class=\"wp-image-529\" srcset=\"https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Todd1_8_2-16-copy-1024x847.jpg 1024w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Todd1_8_2-16-copy-300x248.jpg 300w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Todd1_8_2-16-copy-768x635.jpg 768w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Todd1_8_2-16-copy-1536x1270.jpg 1536w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Todd1_8_2-16-copy.jpg 2010w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Todd Larkin during the writing of <em>In Search of Marie-Antoinette<\/em>, August 2016<\/figcaption><\/figure>\n\n\n\n<p>Appreciations:<\/p>\n\n\n\n<p>\u201cThis is an important book for our library!\u201d<\/p>\n\n\n\n<p>&#8211; Eva Alteneder, Stefan Zweig Center Salzburg<\/p>\n\n\n\n<p>\u201cThis gets my award for best reception history book of the year! It is simply fabulous!\u201d and \u201cIt\u2019s a great piece of research underpinned by a strong idea. It reads as an archaeology of film. I thoroughly enjoyed it and learned loads.\u201d<\/p>\n\n\n\n<p>&#8211; Lloyd Llewellyn-Jones, University of Cardiff<\/p>\n\n\n\n<p>\u201cT. Lawrence Larkin\u2019s <em>In Search of Marie-Antoinette in the 1930s<\/em> is a game changer. He builds upon his considerable expertise in art history\u2014the representation of the dubious queen in oil painting\u2014as a framework for exploring a particular classical Hollywood biopic, MGM\u2019s <em>Marie-Antoinette<\/em> (1938). Not only does the book give reason to attend more carefully to the bio-pic in late 1930s Hollywood, it also provides a sterling guide for how to do production studies at its most sophisticated level. Larkin\u2019s attention to literary studies (the author Stefan Zweig), film studies (the producer Irving Thalberg), and performance studies (the actress Norma Shearer) provides a beacon for what the humanities should look like in the twenty-first century, interdisciplinary and brazenly expansive in its scope. The age of academic disciplinary boundaries is coming to an end, and Larkin\u2019s book hammers a significant nail into its coffin.\u201d<\/p>\n\n\n\n<p>&#8211; Walter Metz, Southern Illinois University<\/p>\n\n\n\n<p>\u201cLike everything Professor Larkin has written about Marie-Antoinette and her image (how she related to her own image, how she contributed to shaping it, or\u2014like here\u2014how the queen\u2019s image and character have been explored on screen and in literature), this book is excellent reading and very thoroughly researched. I warmly recommend it to those with an interest in the fascinating dialogue historical figures keep having with movie makers and intellectuals turned biographers\u2026.Many useless and repetitive books are written about Marie-Antoinette. This original way of exploring how she has fascinated so many\u2014and keeps doing so\u2014will appeal to many. A great book!\u201d<\/p>\n\n\n\n<p>&#8211; Jean Fran\u00e7ois Carric, Metamark UK Limited<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"864\" src=\"https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Marie7-copy.jpg\" alt=\"\" class=\"wp-image-530\" srcset=\"https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Marie7-copy.jpg 540w, https:\/\/toddlarkin.com\/wp-content\/uploads\/2021\/01\/Marie7-copy-188x300.jpg 188w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><figcaption><em>Norma Shearer as Marie-Antoinette<\/em>, MGM publicity postcard, ca. 1938. <\/figcaption><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Monograph release: Spring 2019 In Search of Marie-Antoinette in the 1930s: Stefan Zweig, Irving Thalberg, and Norma Shearer is a scholarly monograph published by Palgrave Macmillan that follows Austrian biographer Stefan Zweig, American producer Irving Thalberg, and Canadian-American actress Norma &hellip; <a href=\"https:\/\/toddlarkin.com\/?p=526\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":532,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[27,26,24,22,20,23,21],"class_list":["post-526","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-biographical-film","tag-biopic","tag-historical-biography","tag-irving-thalberg","tag-marie-antoinette","tag-norma-shearer","tag-stefan-zweig"],"_links":{"self":[{"href":"https:\/\/toddlarkin.com\/index.php?rest_route=\/wp\/v2\/posts\/526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/toddlarkin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/toddlarkin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/toddlarkin.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/toddlarkin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=526"}],"version-history":[{"count":4,"href":"https:\/\/toddlarkin.com\/index.php?rest_route=\/wp\/v2\/posts\/526\/revisions"}],"predecessor-version":[{"id":570,"href":"https:\/\/toddlarkin.com\/index.php?rest_route=\/wp\/v2\/posts\/526\/revisions\/570"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/toddlarkin.com\/index.php?rest_route=\/wp\/v2\/media\/532"}],"wp:attachment":[{"href":"https:\/\/toddlarkin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/toddlarkin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/toddlarkin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}